Wednesday, April 29, 2009

critical analysis of falling water


Fallingwater has provided enjoyment to many people over the years; as a stimulating weekend retreat for the Kaufmann family and their friends, as a source of pride to the architect and his associates, and now - cared for by the Western Pennsylvania Conservancy - as an exceptional experience for visitors from near and far....
He understood that people were creatures of nature, hence an architecture which conformed to nature would conform to what was basic in people. For example, although all of Fallingwater is opened by broad bands of windows, people inside are sheltered as in a deep cave, secure in the sense of hill behind them. Their attention is directed toward the outside by low ceilings; no lordly hall sets the tone but, instead, the luminous textures of the woodland, rhythmically enframed. The materials of the structure blend with the colorings of rocks and trees, while occasional accents are provided by bright furnishings, like wildflowers or birds outside. The paths within the house, stairs and passages, meander without formality or urgency, and the house hardly has a main entrance; there are many ways in and out. Sociability and privacy are both available, as are the comforts of home and the adventures of the seasons. So people are cosseted in to relaxing, into exploring the enjoyment of a life refreshed in nature. Visitors, too, in due measure experience Wright's architecture as an expansion of living. 1






























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